DSpace Collection: En esta colección se encuentra la revista Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada, núm. 6 (agosto 2022-enero 2023)
https://ru.atheneadigital.filos.unam.mx/jspui/handle/FFYL_UNAM/6843
En esta colección se encuentra la revista Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada, núm. 6 (agosto 2022-enero 2023)2023-12-27T10:59:04ZNuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada. Número 6 (2022). Completo
https://ru.atheneadigital.filos.unam.mx/jspui/handle/FFYL_UNAM/6852
Title: Nuevas Poligrafías. Revista de Teoría Literaria y Literatura Comparada. Número 6 (2022). Completo
Authors: Facultad de Filosofía y Letras
Description: Publicación electrónica2022-08-01T00:00:00ZSafo, la musa y Andrómaca: desdoblamientos ambulatorios de Charles Baudelaire
https://ru.atheneadigital.filos.unam.mx/jspui/handle/FFYL_UNAM/6851
Title: Safo, la musa y Andrómaca: desdoblamientos ambulatorios de Charles Baudelaire
Authors: Lavaniegos Solares, Mircea
Abstract: This paper explores the motif of walking in Charles Baudelaire's The Flowers of Evil (1857), making some connections with the Spleen of Paris (1869), through three "character-themes" or "mythemes" from the Greco-Latin tradition: Sappho, the muse and Andromache. It is proposed that, in the unfolding of the poet in these three figures, baudelairiana poetics offers a triad of walks that allow him to capture his experience in a Paris that was suffering changes in its architecture, social life, and cultural industry. These unfoldings are: erotic walking (Sappho), mendicant walking (the muse) and allegorical walking (Andromache). Using Walter Benjamin's ideas about the hero as a central element of Baudelaire's myth-poetic thought, it is intended to encompass these expressions as a way of confronting a nineteenth-century urban geography. We wonder about the relationship of poetry with myth and its ability to give meaning to an experience overwhelmed by the changes that modernity generates in the lives of its inhabitants. From a thematological approach, it seeks to establish bridges within the baudelairiana work that allow to understand its production as a coherent and articulated whole.
Description: Publicación electrónica2022-08-01T00:00:00ZCaminares aporéticos cavafianos
https://ru.atheneadigital.filos.unam.mx/jspui/handle/FFYL_UNAM/6850
Title: Caminares aporéticos cavafianos
Authors: Navarrete Beltrán, Daniel
Abstract: The act of walking in Constantine Cavafy’s poetry often implies walking in circles, restrictively and bound exclusively to return; it sometimes represents a symbol of a frustrating repetition while, in some cases, it represents a wistful regression. Be as it may, both meanings converge in a concept I call aporia which, in Cavafy’s case, implies the absence —intended or unintended— of an alternative path. In the first case, we observe a desperate, redundant, rather anxious, and distressing walk, as illustrated by the poems ʻThe Windowsʼ, and ʻThe Cityʼ; different altogether from other relatively contemporary authors of his, e.g., Walt Whitman, who portrayed this act of displacement and movement in their texts as a practice for conquering freedom. Conversely, in the second case, the Alexandrian poet’s regressive walk implies a trigger not only for introspection but also for re-encountering sad and pleasant experiences; the nostalgic walk, walking to return —in turmoil— to those life experiences that one cannot swerve from, as depicted by the poems ʻAt the Same Placeʼ, ʻIn Front of the Houseʼ, and ʻAt the Streetʼ. It is the return to the homeland, to the abstract Ithaca of his most renowned poem—the return to the origin, to those things that have entirely defined him.
Description: Publicación electrónica2022-08-01T00:00:00ZAndar y desandar: Resistencias conservadoras como estrategias autoriales en las columnas de Rosario Sansores
https://ru.atheneadigital.filos.unam.mx/jspui/handle/FFYL_UNAM/6849
Title: Andar y desandar: Resistencias conservadoras como estrategias autoriales en las columnas de Rosario Sansores
Authors: Vela Martínez, Alejandra
Abstract: Recognized among her contemporaries for having an extremely wide reading public, the Yucatecan writer, columnist and poet Rosario Sansores Pren (1889-1972) became one of the essential figures of the chronicle and the “women stuff” in mid-century Mexican press. In her 1940s columns she writes about the walks she takes in the urban landscape, presenting a constant ambiguity between the joy of experiencing the streets versus the dangers it represents, and also with the satisfaction of being a free woman, alongside the almost instinctive impulse to run back and reinsert herself in the domestic sphere. These walking and retracing showcase a gradual transformation of Sansores’ authorial voice. Starting as a feminine narrator that talks about love in a modernista style, she later turns into a respectable columnist looking to criticize the supposed progress modernization is bringing to the country. Although the Latin American chronicle is usually read as a literary participant in the consolidation of the urban imagery as a space of liberation, particularly when linked to the voice of marginalized subjectivities (LGBTQ+, women, etc.), I defend that Sansores used this genre in order to deploy an authorial voice that displayed the dangers of this supposedly liberating Modernity. This reading of walking in her chronicles shows how productive it was, in market terms, to build a character that would show the drawbacks of this apparently inevitable progressive transformation. Addressing her intimate public, who had conservative leanings, both aesthetically and politically, Sansores thus demonstrates the disconnect between the idea of public some intellectuals had, and what really sold and connected with a broader audience in postrevolutionary Mexico.
Description: Publicación electrónica2022-08-01T00:00:00Z