DSpace Collection:https://ru.atheneadigital.filos.unam.mx/jspui/handle/FFYL_UNAM/292023-12-27T18:22:38Z2023-12-27T18:22:38ZEn las orillas de la autoficción: Las vacilaciones del autorrelato en texto de Sergio Pitol, Angelina Muñiz-Huberman y Alice MunroArtigas Albarelli, Irene Mariahttps://ru.atheneadigital.filos.unam.mx/jspui/handle/FFYL_UNAM/ANUARIO_A982019-06-10T21:23:05Z2016-01-01T00:00:00ZTitle: En las orillas de la autoficción: Las vacilaciones del autorrelato en texto de Sergio Pitol, Angelina Muñiz-Huberman y Alice Munro
Authors: Artigas Albarelli, Irene Maria
Abstract: Legobiography, pseudomemories, and some kinds of fiction are border forms that, staggering between the real and the fictional, question and subvert their limits. This essay analyzes how the peculiar tension provoked by this vacillation appears in Sergio Pitol’s El arte de la fuga (1996), Angelina Muñiz-Huberman’s Molinos sin viento (2001), and some of the last texts written (2012) by Alice Munro that she has put apart from her fictions. The idea is to see what this staggering does to notions such as being, memory, and writing.2016-01-01T00:00:00ZEscritura y fragmento: La política del gesto en Roland BarthesCerón Luna, Francisco Javierhttps://ru.atheneadigital.filos.unam.mx/jspui/handle/FFYL_UNAM/ANUARIO_A992019-06-10T21:23:05Z2016-01-01T00:00:00ZTitle: Escritura y fragmento: La política del gesto en Roland Barthes
Authors: Cerón Luna, Francisco Javier
Abstract: This paper proposes a methodological reading of Roland Barthes’ work and his questioning of writing as an unstable signifier of language. Thus, it invites us to rethink the author’s idea of writing from four different perspectives: as a neutral space, as a signifier structure, as a draft of a text theory, and as a plastic proposal emerging from the fragment. This last perspective can be read from the politics of gesture, which the Italian philosopher Giorgio Agamben proposes to enunciate that Barthes’ intellectual position picks up the overflow of style as impossibility for closure of the sense.2016-01-01T00:00:00ZLa écfrasis de la tienda del rey Adrastro en el Roman de Thèbes: Estructura, estrategias retóricas e intertextualidadAltamirano Meza, Gerardo Romanhttps://ru.atheneadigital.filos.unam.mx/jspui/handle/FFYL_UNAM/ANUARIO_A962019-06-10T21:23:04Z2016-01-01T00:00:00ZTitle: La écfrasis de la tienda del rey Adrastro en el Roman de Thèbes: Estructura, estrategias retóricas e intertextualidad
Authors: Altamirano Meza, Gerardo Roman
Abstract: One of the most common ekphrastic motives in medieval literature is the historiated tent. In other words, the figurative elements described, whether drawn or embroidered, which can be found on the fabrics of a military tent, usually of royal nature. On this paper, the author analyses the ekphrasis of Adrastrus’ tent, which is part of the narrative poem known as Roman de Thèbes and which, presumably, is the archetype of other medieval descriptions, such as the Alexander’s tent, which appears in the Libro de Alexandre and Don Amor’s tent, which appears in the Libro de Buen Amor. This essay analyseshow the author structures the passage and how some rethorical strategies (such as the enumeratio, the aposiopesis and the hyperbole) are used. In the same manner, it tries to suggest an hypertextual dialogue with other medieval works and some classical sources.2016-01-01T00:00:00ZShakespeare: circulaciones de una "deidad cultural"Anaya Ferreira, Nair Mariahttps://ru.atheneadigital.filos.unam.mx/jspui/handle/FFYL_UNAM/ANUARIO_A972019-06-10T21:23:04Z2016-01-01T00:00:00ZTitle: Shakespeare: circulaciones de una "deidad cultural"
Authors: Anaya Ferreira, Nair Maria
Abstract: The world’s celebration of the 400th anniversary of William Shakespeare’s death offers an opportunity to think about the processes of circulation and dissemination of culture. My aim is to explore —giving only some examples, as the phenomenon has been widely studied— how Shakespeare’s name and figure has become a “cultural deity” which has had an undeniable impact on the culture and literature of most countries. I argue that, far from being restricted to merely literary reasons, his influence depends on a number of political, economical and cultural factors which have affected the overall identity of nations.2016-01-01T00:00:00Z