Decorado verbal, ticoscopia y puesta en edición en La entretenida de Miguel de Cervantes

Abstract

In order to portray the text of an author in a stage, there are some considerations that need to be bore in mind, and they have to do with the transduction of the language within it. From the poetics, the literary, the drama, to the printed manuscript, also from that last one ciphered text to to the staging: there should be a riveting journey that tells us about a complex machinery, which requires a spatial-temporal device to be set in motion. When the script reaches the hands of the Scene Director, or a company of actors, or any other production apparatus; there should be a textual analysis which turns into an essential tool/weapon so that the transduction can succeed, achieving something that comes to life in what is represented. The study is carried out on a play orchestrated by Miguel de Cervantes. The scenic knowledge of the author from Alcalá is staggeringly evident. Cervantes is a man of theater.